This term can be a little confusing since it has three meanings that both apply to sound. 1.: The process of offsetting the sound 26 frames ahead of picture when making a print (see Printer’s Sync). 2.: Pull Ups, as a noun, are transfers of the first 26 frames of sound from a reel that are spliced onto the outgoing sound of the previous reel so that sound is not lost when the film is printed with the sound pulled up, since 26 frames of sound are cut off when reels are joined. 3.: A transfer of the sound from a video, sped up from video speed, 29.97 video frames per second, which is the equivalent of 23.98 film frames per second, to film speed, 24 film frames per second. This must be done when the optical track is made after having mixed in video.thepolliofolioglossaryofcinematographyterms
A transfer of sound slowed down from film speed, 24 film frames per second, to video speed, 29.97 video frames per second, which is the equivalent of 23.98 film frames per second. This must be done to line it up with a video transfer of picture when transferring sync sound to video.
Using a reduced development time to compensate for overexposure, either intentional for effect or accidental.
Pull processing is a special type of processing where the film is developed for a shorter time than normal, usually to make up for intended overexposure.
A tracking shotorzoomthat moves back from the subject to reveal the context of the scene.
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